Nobrow 5 debuted at 'Pick Me Up' London last week and is now available from the Nobrow website. The theme of the issue is 'A Few Of My Favourite Things' which needed to be worked into a repeat pattern using 3 regular pantone spot colours and 1 gold metallic pantone. Blimey! It was bloody tricky but the results were worth it. The cover of the issue is by Micah Lidberg and inside features work from Bjorn Lie, Nick White, Meg Hunt, Matthew The Horse, Jon Boam, Rob Hunter, Nishant Choksi and many, many more.
I thought it might be interesting to run you through each spot colour layer for my piece. It was made up of a grid of monster and robot faces. Here is the original sketch that I retraced with a pencil, ruler and compass on my light box. Everything I do is hand drawn. I don't use vectors.
The first pantone is yellow and I used the colour at 100%, 70% and a 40%.
The highest opacity that I used the blue at was 85% due to a conversation with Rob Hunter about how dark the blue will print compared to how it appears on the computer screen. Rob had a pantone chart and the difference from screen to printed paper was quite significant. Losing the 15% knocked some of the intensity out which worked out for the best.
Next up is red. It's really more of a pinky red than a deep red. By crossing it over with the yellow, the pinkish red gets boosted to a strong red. I think I only used the red at a maximum of 90% and a minimum of 20%.
The first pantone is yellow and I used the colour at 100%, 70% and a 40%.
The highest opacity that I used the blue at was 85% due to a conversation with Rob Hunter about how dark the blue will print compared to how it appears on the computer screen. Rob had a pantone chart and the difference from screen to printed paper was quite significant. Losing the 15% knocked some of the intensity out which worked out for the best.
Next up is red. It's really more of a pinky red than a deep red. By crossing it over with the yellow, the pinkish red gets boosted to a strong red. I think I only used the red at a maximum of 90% and a minimum of 20%.
Here we have the pinkish red and yellow crossing over and making a strong red. It was fun to work out the areas to leave pink so that the image didn't appear too flat and boring. You always wanna give a bit of 'Shazam!'
The blue and yellow create a green and the different shades of green are made by using different opacities of each spot colour.
Here is the blue and red crossing over without the yellow. These two colours create a purplish secondary colour that highlights the dark areas of the image.
For the gold spot colour to work at its best, it should not be over-layed or under-layed. Industrial litho printing is very, very accurate so I just cut the shapes to fit directly into the spaces. Here is an example of what it looks like without the other colours.
Here is the finished illustration. It really made my brain blocks hurt but I feel very happy with the final result.
Here is a photo of it in the latest issue. My digital camera is very old and very rubbish so this probably isn't the best representation of the printed article which is why you should go and buy it. It smells great too.
Hope this was helpful. Toodles. x